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面对21世纪的新时代,舞台美术的任务已由过去的“根据演出要求,在统一的艺术构思下,运用多种造型艺术手段,创造剧中环境和角色外部形象,渲染舞台气氛”(《辞海》缩印本,上海辞书出版社1989年版,第234页)发展为积极主动地为剧目服务,为整个剧目的文化品格与文化内涵增光添彩。舞台美术的这一文化功能,主要体现在舞美设计的文化美上。而这种文化美,又具体体现在如下几个层面—— A.意蕴美的深化中国传统美学中,强调意蕴美。所谓“意蕴”,即指事物的内容或含义。在中
In the face of the new era of the 21st century, the task of stage art has changed from “using the various artistic techniques under the unified artistic conception to create the external environment of the play and the external role of the character, Cihai ”miniatures, Shanghai Dictionary Publishing House 1989 edition, page 234) to proactively serve the repertoire, for the entire repertoire of cultural and cultural connotation add luster. This cultural function of stage art is mainly embodied in the cultural beauty of the stage design. And this kind of cultural beauty, but also embodied in the following several levels - A. The deepening of the implication of beauty Traditional Chinese aesthetics, emphasizing the beauty of implication. The so-called “meaning”, that is, the content or meaning of things. In