“反对阐释”和“新感受力”是苏珊·桑塔格早期美学思想的主要观点和标志性词汇,它们对于当下的文学研究产生了重要影响。“反对阐释”即反对对文艺作品内容作深度解释,它为当下文本被“过度阐释”这一文学问题提供了理论解决策略。“新感受力”强调的是一份完整的感觉体验,而文学鉴赏与创作作为一种过程体验,实现了文学审美的“浑融性”诉求。随着理论语境的不断转换,“反对阐释”也体现出一种时代性,带有反“逻各斯中心主义”的“解构”意味,它深刻改变了传统的图—文相互印证的关系。 “Opposition Interpretation” and “New Sensibility” are the main ideas and landmark words of Susan Sontag’s early aesthetic thoughts, which have a significant impact on contemporary literary studies. “Opposing Interpretation” is to oppose the in-depth explanation of the content of literary and artistic works. It provides a theoretic solution to the current literary problem of literary “over-interpretation.” “New Sensibility ” emphasizes a complete sensory experience, and literary appreciation and creation as a process experience, to achieve “muddling ” appeal of literary aesthetics. With the constant conversion of the theoretical context, “Opposition Interpretation ” also shows a kind of “deconstruction ” meaning with anti-Logos centrism, which profoundly changes the traditional figure - The mutual proof of the relationship between the text.