论文部分内容阅读
关于宋玉《高唐》《神女》二赋的主旨,前人甚多分歧,有讽谏、寄寓、主淫、言情、心理疏导等看法。由文本入手,结合宋玉文学侍从的社会身份,我们认为,其主旨当是取娱君主,也即“娱君”。由此可论及宋玉赋作的主要倾向:无论是以《高唐》《神女》为代表的长篇之制,还是以《登徒子好色赋》《大言赋》《小言赋》为典型的短篇对问,其赋作都普遍具有着娱悦君主、调笑取乐的创作倾向,多体现出诙谐幽默的娱乐品质与游戏特色。“娱君”对于后来赋作宫廷化、游戏化的道路有甚为显著的影响。
On the theme of Song Yu’s “Gaotang” and “Goddess” II Fu, many disagreements have been made by his predecessors, such as remonstrances, dwelling, prostitution, romance and psychological counseling. Starting from the text, combined with the social identity of Song Yu literary attendants, we think that the main purpose is to entertain the monarch, that is, “entertainment Jun.” From this, we can discuss the main tendencies Song Yu made: Whether it is a long version represented by “Gaotang” or “Goddess”, or a short story typified by “Deng Zi Zi Fu Xu Fu”, “Da Yan Fu” and “Xiaoyan Fu” Questions and answers, their assignments generally have the pleasure of the king, teasing fun creative tendency, more humorous entertainment quality and game features. Entertain the king for later courtesy, gamification of the road has a very significant impact.