《航海王之黄金城》的故事背景架空于一个被认可的国度——古兰·泰佐洛,这既是一个黄金国度,也是一个非武装地带的独立国度,同时,亦是一个世界最大的骗人国度。从影视动画视角而言,这种谎言是以色彩、设计、艺术等为织体而织就的一种视觉谎言,同时,这种视觉谎言意象的背后,则是能够教育我们由其意象所反思与探索着的真理,从这种意义而言,原来艺术与科学其实是殊途同归的。~([1])一、美术色彩先声夺人(一)美术色彩、设计、艺术的视觉体验 The background of “King City of the Nautical Kings” has its story background emptied in a recognized country, Qur’an Ta Zala, which is not only a golden country but also an independent nation of the unarmed areas. At the same time, it is also one of the largest deceivers in the world country. From the perspective of film and television animation, this kind of lies is a kind of visual lies woven by color, design and art. At the same time, behind this image of visual lies, we can educate us to reflect on their images In this sense, the original art and science are actually the same thing. ~ ([1]) First, the color of art prejudices (a) art color, design, artistic visual experience