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在美国消费型社会背景下,“波普艺术的教皇”安迪·沃霍运用印刷技术批量“生产”的无个性复制品,是打破传统绘画方式、颠覆黑格尔“艺术高于生活”的全新个性化艺术创作,其艺术理念一直影响至今。本文试图通过个性与无个性的视角来探究安迪·沃霍作品中存在的巨大分裂和悖逆,思考其打破高雅艺术与通俗艺术的界限所带给我们的艺术大众化意义。
In the context of consumer society in the United States, “the Pope of Pop Art” and “Andy Warhol,” an unprincipled replica of volume “production ” of printing technology, break the traditional way of painting and subvert Hegel Higher than life "new personalized art creation, its artistic philosophy has been affected so far. This article tries to explore the great divisions and rebellions in Andy Warhol’s works from the perspective of personality and non-personality, and consider the significance of art popularization brought by breaking the boundary between elegant art and popular art.