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中国画作为中华文化艺术的瑰宝,在中国流传上千年,是中国传统文化的一部分。由文房四宝:笔、墨、纸、砚组成了当今最优秀的文化艺术。在中国古代上有历史的地方就有中国画,古时中国画作为帝王贵族的艺术,如今它已走进平常百姓当中,可看出传承之广。中国画有两大分支:工笔画、写意画。工笔画强调严谨写实,写意强调气韵生动,强调意境。可以看出各有所长,特点不一。现如今,写意画已经发展到了大众生活中,可是发展的质量确是参差不齐,许多人画画只是注重画面的冲击感,可是当中却缺少了国画当中最看重的气韵生动。如果一幅国画缺少了气、意等,那么这不是一幅好作品,它忽略了我们创作的初心,忽略了我们的灵魂。下面我来分析一下笔者导师王昌和副教授的作品,分析从他画面当中体现出的魂和初心。
As a treasure of Chinese culture and art, Chinese painting has been circulating in China for thousands of years and is part of Chinese traditional culture. From the four treasures: pen, ink, paper, inkstone formed the best of today’s culture and the arts. In ancient China, there was a place of historic Chinese painting. In ancient times, Chinese painting, as the art of kings and nobles, has now entered the ordinary people and shows a wide range of inheritance. There are two branches of Chinese painting: strokes, freehand drawing. Meticulous emphasis on rigorous realistic writing, freehand emphasizes the vivid atmosphere, emphasizing the mood. It can be seen that each has his own strengths, different characteristics. Nowadays, the freehand brushwork has developed into popular life. However, the quality of development is indeed uneven. Many people just pay attention to the impact of the painting. However, they lack the most important and vivid charm in traditional Chinese painting. If a painting is lack of gas, Italy, etc., then this is not a good work, it ignores the beginning of our creation, ignoring our souls. Here I analyze the works of my mentor Wang Changhe and associate professor, analyze the soul and the beginning of heart from his picture.