近年来,美学研究落入了低谷,然而,美学队伍仍然以其巨大的整体努力在向前开拓。一方面,美学走向泛化(这个词可以从积极消极两个角度去理解),成为一种生活美学或科技美学;另一方面美学又走向深化,成为一种文化哲学。后一个走向的理论以积极参与社会主义文化建设为己任,取一种横向放眼世界,纵向通观古今的架势,并且在不同程度上超越现代美学的视角、体系与范畴,给人以耳目一新之感。美学作为文化哲学或文化战略的积极参与者,负担着重大的社会责任。由此,产生了超越美学的理论需要。它也表现为两个方向,一个是否定美学在文化中的较 In recent years, aesthetics has fallen into a downturn. However, the aesthetic team is still moving forward with its tremendous overall efforts. On the one hand, aesthetics becomes generalized (the term can be understood from both positive and negative perspectives) and becomes a life aesthetics or aesthetics of science and technology. On the other hand, aesthetics has deepened and become a cultural philosophy. The latter theory takes as its own duty to actively participate in the socialist cultural construction. It takes a horizontal view of the world and an overview of ancient and modern posture, and in varying degrees, transcends the perspectives, systems and categories of modern aesthetics and gives a fresh impression. As an active participant in cultural philosophy or cultural strategy, aesthetics bears a great social responsibility. As a result, a theoretical need beyond aesthetics has arisen. It is also manifested in two directions, one is the denial of aesthetics in culture