“伪纪录片”作为介于纪录片与剧情片之间的影片模式,以剧情片的虚构情节套用纪录片包装方式。自“新纪录”运动产生之后,“伪纪录片”将剧情片与纪录片的合流之势更进一步地交融,以现实主义的表现方式呈现出丰富多样题材的剧情片。形式与内容的异域指向造成了“伪纪录片”独特的美学特点,也为其带来了不同的本体意义。一、伪纪录片的美学特点(一)现实主义成为外衣意大利诞生新现实主义之后,通过纪实性镜头 “Pseudo-Documentary ” as the documentary mode between the documentary and the feature film, and the documentary packaging method is based on the fictional plot of the drama. Since the “New Record” campaign, “Pseudo-Documentary ” has merged the merits of the dramatic and documentary merging further, presenting the rich and diversified feature film in realistic expression. The exotic orientation of form and content has caused the unique aesthetic features of “pseudo-documentary” and brought different ontological meanings to it. First, the aesthetic characteristics of pseudo-documentary (a) of realism to become a coat After the birth of new realism in Italy, through a documentary lens