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“无”论与其对传统文艺观的启示在《老子》中重要且独特,然而前人都没有对此进行专题的研究,故而研究缺乏深度与系统性。因此笔者旨在揭示《老子》中关于“无”思想的启示性文艺观念和“无”如何一步步使“道”作用于传统文艺观的,并提出了3个新观点:1、老子的“道”是经由以“无”为论、带出相应的“有”而作用于传统文艺的。2、“无”字中蕴含着“虚静”理论。3、“道之出口,淡乎其无味”启示了“轻言”文论。
The theory of “nothingness” and its enlightenment on the traditional concept of literature and art are both important and unique in “Laozi”. However, none of our predecessors did research on the subject. Therefore, the research lacks depth and systematicness. Therefore, the author aims to reveal how the inspirational literary ideas of Lao Tzu and the non-leveled role of “Tao” in the traditional literary view and put forward three new ideas : 1, Lao Tzu “Dao ” is through the “no ” theory, bring out the corresponding “have ” and the role of the traditional literature and art. 2, “no ” contains “quiet” theory. 3, “The exit of the road, it is almost tasteless ” Inspired “light talk ” literary theory.