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2011年10月,应中国音乐学院之邀,四位韩国作曲家带来了四首钢琴作品与中国音乐学院教师进行钢琴作品交流。在这次音乐作品交流活动中,韩国作曲家的钢琴作品引起了大家广泛的关注。本文就以下四个方面对韩国作曲家金熲中的钢琴曲《乐》的创作技法进行研究:民谣材料的运用、韩国“长短”节奏在音乐中的应用、线性结构思维以及整体结构布局。通过技法分析,探求作曲家如何将韩国民间音乐材料与现代作曲技法进行结合,并对韩国现代音乐创作中的“现代性”与“民族性”融合关系加以关注。
In October 2011, at the invitation of the China Conservatory of Music, four Korean composers brought four piano works to the piano exchange with teachers from China Conservatory of Music. In this exchange of music works, the Korean composer’s piano works aroused widespread concern. This paper studies the creation technique of the piano music “Le” by Korean composer Kim Yong in the following four aspects: the application of folk material, the application of Korean “length” in music, the thinking of linear structure and the overall structure of the layout . Through the analysis of technique, it explores how composers combine Korean folk music materials with modern composition techniques and pays close attention to the fusion of “modernity” and “nationality” in the creation of modern Korean music.