由名著改编的电视剧大抵是不会超过名著的吧。法国的《约翰·克利斯朵夫》也不能例外。一般地说,电视剧至多可成为名著的普及版、通俗化了的音像读物,供现代的、越来越缺乏耐心的人们消遣。倘若有人将它们同原著对比,并用名著的标准衡量着去看,我担保,那将会是令人扫兴的。 “瘦死的骆驼比马大。”名著毕竟优势显然,号召力强过今人之作。我 The famous adaptation of the drama probably will not exceed the famous bar. France’s “John Krisdorff” is no exception. In general, TV series can become, at best, popularized versions of popular novels, popular audiovisual books for the modern and increasingly impatient people to enjoy. If anyone contrasts them with the original, and goes by the norms of norms, I guarantee that it will be disappointing. “The thin, dead camel is bigger than a horse.” After all, the masterpiece clearly has the advantage of being more powerful than today. I