“明月挂南楼”,这是宋代大画家米芾的词《水调歌头》中句。此词写的是中秋之情怀,词中有“自有多情处,明月挂南楼。”明月皎洁之夜,身处庭中抬头见一轮明月倚楼而起,好似挂在屋檐,这种景象,情态自生,引出人对自己过去生活历历的追忆和对未来抱负的憧憬。情随景迁,此时此地此景,这就是空间情态了。“小廊回合曲栏斜”,这是晚唐诗人张泌的七绝诗《寄人》,这首诗是描述曾与他相好的一位女子,后来分手,则是怀恋之情:“别梦依依到谢家,小廊回合曲栏斜。多情只有春庭月,犹为离人照落花。”空间形象既清晰,又感人,这是诗的魅力;然而反过来说,这种空间环境,它的情态也是诗。 情态是塑造建筑空间的一个要素;但何谓情态,这是首先要说清楚的。所谓“情”,其实有多种多样。同学之情,家人之情,邻居、亲友之情,爱恋之情,人与自然之情,以及人自我的生活、事业之情。空间,就是寄情之物,设计者必须了解这许许多多的不同类别之情态,才能塑造好建筑空间。 “The Moon hangs on the South Building,” which is the song of the Song Dynasty painter Mi Fu’s “Water Melody”. This word is written by the feelings of the Mid-Autumn Festival. The words “have their own passionate place, and the moon hangs on the south building.” On the clear night of the moon, when you are in the court, you look up and see the moon rise against the building, as if it is hanging on the roof. The scene, morphologically spontaneous, leads people to reminisce about their past lives and their aspirations for the future. With the scenes moved, this time here, this is the spatial modality. “The corridor of small corridors is curved,” this is the poem of the late Tang Dynasty poet Zhang Bie, “The Returning Man.” This poem is a woman who described him as a good woman. Later, when she broke up, she was nostalgic: “Don’t dream.” Yiyi to Xie, Xiaolang turns back to the curving line. Only the spring and the moon can only be seen as falling away from people. “The spatial image is clear and moving. This is the charm of poetry; but in other words, this kind of space environment, Its modality is also poetry. Modality is an element that shapes the architectural space; but what is modality? This is the first thing to say. The so-called ”emotions" are actually varied. The feelings of the students, the feelings of the family, the feelings of the neighbors, relatives and friends, the feelings of love, the feelings of humans and nature, and the feelings of human life and career. Space is the object of love. Designers must understand this many different types of modalities in order to create a good architectural space.