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有关“纯诗”的观念,源自于法国象征主义诗人。虽然波德莱尔、圣佩韦等也偶尔使用过这一概念,但真正意义上对“纯诗”作确切阐释的是马拉美。作为19世纪法国象征主义诗歌领袖人物的马拉美,他所理解的“纯”是指事物脱离了有所损碍的掺杂物的状态,是其本质上的纯粹性。而诗歌纯粹性的前提是去实物化,也即他在1891年的一封信中所说的,是“以一种中心纯粹性的名义对实物进行充分利用直至将其耗尽”①,诗歌追求的不是对世界内容的感知和反应,而是一种语言与幻想的游戏。其后,瓦雷里(又译瓦莱里)更是醉心于追求“没有任何非诗歌
The idea of ”pure poetry “ originated from the French symbolism poet. Although Baudelaire, Saint-Peve and others occasionally used this concept, Maramey is the exact interpretation of ”Pure Poetry“. His understanding of ”pure“ as the leader of French symbolism poetry in the nineteenth century, Ma x {5ee5} is purely intrinsic to the fact that things break away from the hindering dopant. The prerequisite for the purity of poetry is that it is materialized, that is, what he said in a letter of 1891 is ”the full use of the material in the name of a center of purity until it is exhausted“ The pursuit of poetry is not the perception and reaction to the content of the world, but a game of language and fantasy. Since then, Valery (also translated Valery) is more obsessed with the pursuit of ”There is no non-poetry