据说,晚年艾略特挺照拂小字辈的奥登,要求诗友们为奥登创造更好的环境,让他写出更多的好诗。其实奥登写得不少,不比艾略特少。他跟苏东坡似的,把诗歌当作一个可以无限伸缩的容器,来者不拒,所谓“无物不可以入诗”也,政治、宗教、学术、历史、社会、艺术、地理、人性、性……他都能用诗来处理。他的诗歌仓库里有着丰富而驳杂的什物,主题、题材、内容,我们只能用一个“多”字来形容。作为艾略特的徒弟,奥登有着正规的学术背景和深厚的学养 It is said that in his later years, Eliot quite fanned the junior Oden, asked poets to create a better environment for Oden, let him write more good poems. In fact, Auden wrote a lot, no less than Eliot. He and Su Dongpo like the poem as a container that can be infinitely expanded and contracted, so that people can not refuse to talk about things like politics, religion, academia, history, society, art, geography, human nature, Sex ... he can all deal with poetry. His poetry warehouse has a rich and miscellaneous things, themes, themes, content, we can only use a “more ” to describe. As Eliot’s apprentice, Oden has a formal academic background and deep learning