“京腔”,是明代南戏弋阳腔流入北京后衍变的一个支派。明嘉靖三十八年(1559)徐渭在《南词叙录》中即说:“今唱家称弋阳腔,则出于江西,两京(南京、北京)、湖南、闽、广用之。”再据沈德符(1578—1642)的《野获编》补遗卷一云:“至今上(万历朱翊钧1573—1620)始设诸剧于玉熙宫以习外戏,如弋阳、海盐、昆山诸家俱有之。”说明弋阳腔在万历间已列为宫中大戏了。弋腔是弋阳腔的简称,俗又称高腔,因它不同于昆腔之清柔宛转,无管弦伴奏,只是一唱众和,加以金鼓交织,声调高亢故名。清李调元《剧话》(成书约在乾隆四十年1775 “Beijing chamber” is a tribe that evolved after the inflow of Yan Opera in the South in the Ming Dynasty. Ming Jiajing thirty-eight years (1559) Xu Wei in the “Southern Ci Syria recorded” that is: “Today’s singer said Yiyang cavity, then out of Jiangxi, Beijing (Beijing, Beijing), Hunan, Fujian, wide use.” According to Shen Defu (1578-1642), “Wild Encyclopedia,” an additional volume, said: “So far (Wanli Zhu Yijun 1573-1620) began to set up various plays in the Yu Xi Gong Xi Xi Xi, such as Yiyang, Haiyan, Kunshan Various furniture has. ”Description Yiyang chamber in the Wanli has been listed as a palace drama. Yi Yi Cavity Yiyang cavity short, vulgar, also known as the high cavity, because it is different from the clear and gentle Wan Kun Wan, without accompaniment, but a singing and harmony, to gold drum intertwined, the tone of high-pitched name. Clear plum tune “drama” (a book about forty years of Qianlong 1775