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中国社会由于思想的放逐及转型所引起的消费主义,体现在艺术中则是以前卫的艺术先锋作为社会生活的衰落装置而存在,而年轻的艺术家们正放弃了所谓的先锋和雅致艺术的推崇。转而向特定的语言文化形式如视像、设计等形象文化的观念注意的聚拢;更加把目光投向了日益开放的文化媒体、公众。反之这种消费性的扩张,使得艺术家的作品风格不再趋于个性化,与经典的强调,把原来的艺术格局结构解构;广告、设计与艺术的融合,强调了艺术城市生活性,先锋艺术也正向大众文化所推进。
The consumerism caused by the exile and transformation of Chinese society in Chinese society is manifested in the fact that a pioneering artistic pioneer exists as a declining device for social life while young artists are abandoning the so-called avant-garde and elegant art . Turn to the specific language and culture forms such as video, design and other cultural concepts pay attention; more attention to the increasingly open cultural media, the public. On the contrary, this consumptive expansion makes the style of the artists no longer tend to be individualized and emphasized by the classic, and the original structure of the art is deconstructed. The integration of advertisement, design and art emphasizes the urban vitality of art, We are pushing for mass culture.