自明代中叶以降,篆刻的边款艺术成就与明清流派印章艺术是并驾齐驱的。这一显著特点,倘使说明清流派印章艺术是秦汉印优良传统一脉相承的发展产物,那么明清卓有大成的边款艺术则是秦汉印苑里所未曾有的全新创作。鉴定一方印章是否为明清时代的,经过识包浆质地、析刀法特征、观印钮体式这样三个过程,应该是不难断定的。但涉及具体篆刻名家,则必须依据存世可查的各项物证资料,及印章本身的边款内容风格来 Since the middle of the Ming Dynasty to cut down, seal cutting edge art achievements and Ming and Qing genre seal art is keeping pace. This distinctive feature, if the description of the Qing dynasty art seal is the fine tradition of Qin and Han India, the product of the same strain of development, then the Ming and Qing dynasties outstanding art is Qin and Han Indian Garden never seen in the new creation. Identification of a seal is whether the Ming and Qing Dynasties era, through the knowledge of pulp texture, analysis of the knife features, the concept of printed button body three such processes should be easy to conclude. However, involving a specific carving masters, you must be based on the surviving world can check the material evidence, and the stamp itself style