20世纪中国工笔花鸟画的新形态,建立在对西方绘画写实思潮的学习与反观中国古代院体的写实成就,以及对传统院体重新思考的两个维度之中,这样的时代思想,造就了以于非闇(继承古法)、刘奎龄(中西合璧)、陈之佛(内收宋人院体,外吸日本画风)、李长白(精研宋人院体成就)为代表的四种不同的形态。但他们的共同点,就是以“写生”为宗,面向自然摄取物象,抒发感受为怀 The new form of Chinese fine brushwork and bird painting in the 20th century was based on the study of the realist trend of Western painting and the reverse of the real accomplishments of the ancient Chinese academy and the two dimensions of rethinking the traditional academy. In order to reflect the four types of non-secret (succession ancient method), Liu Kuiling (Chinese and Western), Chen Zhifu (recipient Song homes, drawing Japanese style), Li Changbai form. However, what they all have in common is that they take “sketching” as their example,