“书画同源”历来是中国书法与绘画的术语,在现代意义上的书画同源仅是根据历代的画论上得出,然而又有多少人真正去研究过书画同源中的这个‘源’字,追溯历史,我们不难发现,书画同源的界定与其深层上的涵义非常模糊,本文将从绘画起源与文字起源的时间来论,找出它们的源头,得出结论,不是“书画同源”而是“画为书源”。 “The same origin of calligraphy and painting ” has always been the terminology of Chinese calligraphy and painting, in the modern sense of painting and calligraphy is only based on the ancient painting theory drawn, however, how many people really went to study this It is not difficult for us to find that the definition of the same origin of calligraphy and painting and its deep meaning are very vague. This article will discuss the origin of the origin of painting and the origin of the writing, and come to the conclusion that it is not “Calligraphy homology ” but “painting as a book source ”.