中国书法自东汉以来,历经滥扬、天成、规范、发达诸阶段,已臻其自身发展之极致。南宋之后以至明清,书学衰落之势已日趋明显。其间虽经赵孟之刻意整饬,其正书,行书固出新意,也由此确立了元明之际书法的一代风貌。延至清初,更加以康熙,乾隆二帝一味尚董尊赵,使董字赵帖遍滥朝野,终于使中国书学日有渐入绝境之险。然而,“山重水复疑无路,柳暗花明又一村。”清嘉庆,道光之际,基于中国书法之特质及其发展的规律性,适于当时社会文化环境的特殊变化,中国书法史上又一场具有划时代意义的变革终于发生,中国书学终于在衰落中得以重新崛起。这就是所谓“嘉道之变”。一 “嘉道之变”的历史原因及背景一个时代一种作风,时代特色之形成必然受制 Since the Eastern Han Dynasty, Chinese calligraphy has experienced its own development with extreme success. After the Southern Song Dynasty and even the Ming and Qing dynasties, the trend of decline of calligraphy has become increasingly evident. During this period, although Zhao Mengzhi deliberately rectified his book, his book solidified his ideas, thus establishing the calligraphy generation of the Yuan and Ming dynasties. To the early Qing dynasty, more to Kangxi, Emperor Qianlong Dongzhao blindly, so that the word Dong Zhao Zhao posts and rulings, and finally make China Book Day gradual danger. However, based on the characteristics of Chinese calligraphy and its regularity of development, it is suitable for the special changes of social and cultural environment at that time. The history of Chinese calligraphy Another epoch-making change finally took place, and Chinese calligraphy finally regained its decline. This is the so-called “Jia Daozhuan ”. The historical reason and background of a “change of Jia Road” A kind of style in an era, the formation of the era characteristics is bound to be subject to