中国歌剧艺术,在社会主义文艺百花园中,是一门新兴的、年轻的艺术。它开创于“五四”运动时期,成长于抗日战争的革命年代,即由《兄妹开荒》发展到歌剧里程碑之作《白毛女》。建国后,在《白毛女》奠定的基础上,认真地向民族传统戏曲学习,又大胆地向西洋歌剧借鉴,经过继承、借鉴、发展、创新,于一九六三年前后培育出了两朵歌剧奇葩《江姐》和《洪湖赤卫队》。总之,在歌剧艺术创作的道路上,几乎每前进一步,都包含着某种创新的意义。创什么样的新?创为广大人民群众喜闻乐见之新,创时代之新。创时代之新,就是在历史发展的每一 Chinese opera art is an emerging and young art in the socialistic art garden. It was founded in the “May Fourth Movement” period, grew up in the revolutionary era of the Anti-Japanese War, from “brother and sister pioneers” to the opera milestone “White-Haired Girl.” After the founding of the People’s Republic of China, based on the foundation laid by the “White-Haired Girl,” he conscientiously studied with traditional ethnic traditional operas and dared to learn from Western operas. Through inheritance, reference, development and innovation, two Exotic opera “Jiang sister” and “Honghu Red Guard.” In short, almost every step of the way in the creation of opera art embodies some innovative significance. What kind of new record? Create a vast number of people love to see the new, a new era. Create a new era, that is, each in the history of development