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随着文化艺术格局的多元化和文化市场竞争的日益加剧,今天的戏剧已早非同以往,它已在观众的视野中逐渐滑向边缘。面对个别精彩而整体艰难的窘境,戏剧人常常忧心而无奈。其实,我们不必为戏剧今天的现状而过份忧心,更不应因此而灰心退席。在我看来,文化艺术格局的多元化和文化市场竞争的加剧,恰恰表明,随着社会的发展,随着文化艺术单一格局被打破,文化的发展已呈现出前所未有的进步,这种进步一方面表明人民大众所获取的文化信息量在不断丰富,另一方面也反映出他们文化生活的消费与选择更为自由而方便。在这种形势下,戏剧也本应拥有自身的市场份额和发展空间。然而我们已做到这些了吗?只要看看城市中为数不多剧场中的景象,就不难找到其中的答案。那么,如何寻找到戏剧自身发展的解决之道,多年来许多戏剧人都在进行着各种各样的探索与努力,这些探索和努力程度不同地推动着戏剧艰难前行。在我看来,
With the diversification of the cultural and arts landscape and the increasingly intensified competition in the cultural market, today’s drama has long been different from the past. It has gradually slipped to the margins of the audience. In the face of some wonderful and overall difficult dilemma, the theater people are often worried and helpless. Actually, we do not have to worry too much about the present situation of the theater today, nor should we discourage ourselves from this. In my opinion, the diversification of cultural and artistic patterns and the intensification of competition in the cultural market precisely show that with the development of society, with the breaking of the single pattern of culture and the arts, the development of culture has shown unprecedented progress. Aspects indicate that the mass of cultural information acquired by the general public is constantly being enriched, and on the other hand, they also reflect the more free and convenient consumption and choice of their cultural life. In this situation, drama should have its own market share and space for development. But have we done this already? It is not hard to find the answer to one of the few scenes in the city. So, how to find solutions to the development of the drama itself, many theatrical people have been conducting various explorations and efforts over the years, and these efforts of exploring and trying to push the drama forward are difficult. in my opinion,