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儿童文学与成人文学的最大差异在于它的隐含对象为儿童,儿童的一切都处于生发期,因为这个主要特点,所以儿童文学被倡导担负起人生教育、普及知识等任务。但也因这一层桎梏,文学创作的触角被束缚于叙述禁忌之中;作家创作的灵性被消磨于“语重心长”的教导中;美学内涵、哲学思考在道德教育、知识普及面前被挤向边缘,作品亦很难充满灵气了。这种创作倾向对于儿童来说也许反而阻碍甚至扼杀了他们的哲学思考、心灵发展。
The biggest difference between children’s literature and adult literature lies in the implication of children as children. Everything in children is in the stage of development. Because of this main feature, children’s literature is advocated to take up the task of educating people and popularizing knowledge. But also because of this layer of shyness, the tentacles of literary creation are restrained in the taboo of narration; the writer’s creative spirituality is worn away in the teaching of “earnestness and heart”; aesthetic connotation and philosophical thinking are squeezed in front of moral education and knowledge popularization To the edge, the work is also very difficult to be full of aura. This creative tendency may instead hinder or even stifle their philosophical thinking and spiritual development.