每个演员在人物创造上都有自己不同的追求,我则喜欢表演上的真挚、细腻、深沉和含蓄。这几年来,我相继扮演了《枫叶红了的时候》中的顾爱兰、《权与法》中的丁红、《深夜静悄悄》中的白霜、《红鼻子》中的王珮珮、《樱桃时节》中的维尔奈夫人等等。通过塑造这几个不同个性与特点的人物,我对表演上的细腻与含蓄有了一些初步的认识。我体会细腻,就是要求演员在创造人物时必须有丰 Each actor in the character creation has its own different pursuit, I like performing sincere, delicate, deep and subtle. In recent years, I have been acting as Gu Ai-lan in “When the Maple Leaves Are Red,” Ding Hong in “The Right and the Fa”, “Hoary in the Deep of the Night” and “The Nose of the Cherry” Madame Verne and many more. By shaping these few characters with different personalities and characteristics, I have some preliminary understanding of the delicate and implicit performance. I feel exquisite, is to require actors in the creation of people must have abundance