在当代中国，中外文学艺术传统曾被视为“封资修”而遭到大规模扫荡，一些海外学者如余英时等人甚至认为，“文革”是五四反传统及与传统断裂的激进主义思潮发展到了顶峰。但这只是一种表面现象，因为在思想领域的任何活动，都不可能不以人类既有的传统作为前提和出发点，艺术? In contemporary China, the traditions of Chinese and foreign literature and art were once considered as “cover-capital repairs” and mass raids. Some overseas scholars, such as Yu Yingshi, even thought that the “Cultural Revolution” was a radicalist trend of opposing the tradition of the May 4th Movement and breaking the tradition. Development has reached its peak. But this is only a superficial phenomenon because it is impossible for any activity in the field of thought not to be premised on the existing traditions of mankind and the starting point for the arts?