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在三十年代里,外国的许多恐怖片大量流入我国,如《科学女人》《死亡岛》《再世复仇记》《腊象陈列所之秘密》等,片名耸人听闻,内容荒诞不经,情节离奇恐怖,使人看了毛骨悚然,神经紧张,受毒甚深。当时新华影片公司的导演马徐维邦,对于这些充斥市场的专用刺激感官的手段来达到招徕观众目的的影片,很感不满。马徐认为恐怖是一种表现手段,为什么不可以运用它来为进步而有意义的内容服务呢?为什么不可以通过恐怖样式的电影作品来描写社会、反映现实、启示观众呢?于是苦
In the 1930s, many horror films from foreign countries poured into our country in large numbers, such as “Science Woman”, “Death Island”, “Revenge of the World” and “The Secret of the Elephant Statue”. The title is sensational, the content is ridiculous, the plot is bizarre Terror, people looked horrified, nervous, deeply poisoned. At that time, Xinhua Film Company’s director Hsu Wei-pong was very unhappy about these market-specific means of stimulating the senses to reach the target of attracting audiences. Why is it impossible to use horror-style movies to describe society, reflect reality, and enlighten audiences?