边缘者的回归寓言何平的处女作据说是1985年的《川岛芳子》,这部片子不是很有影响;但是1993年的《炮打双灯》却是个名片,宁静大概就是那时走红的。那个片子里集中了古旧的宅院、压抑的灵魂、民俗和破坏、偷情与惩罚……这些是“第五代”导演那里惯用的经典场景,而其镜语的运用和文化隐喻的视角在陈凯歌、张艺谋的影 Margin of the edge of the return of the allegorical He Ping’s debut is said to be 1985’s “Kawashima Foko”, the film is not very influential; but 1993 “double gun” is a business card, quiet is probably then popular. In that film, the old houses, the depressed souls, the folk customs, the destruction, the love affair and the punishment were concentrated ... These are the classic scenes used by the “Fifth Generation” directors. The use of mirror language and the perspective of cultural metaphors are described in Chen Kaige, Zhang Yimou’s shadow