“隐逸文化”是中国文化史上的一个支流,它与中国古代文化历史同步,先后经历了先秦、西汉、魏晋南北朝等国家的流逝,开创了中国文学史上一个新的领域。其中隐逸文人喜欢把自然的美称作审美的对象,这说明了隐逸文人对于审美追求的独特,把文学的审美标准延伸到平常世俗作家遥不可及的地方。其中,“隐逸文化”也影响了古代文学的发展,使古代文学由客观的表达方式回归到主体中,扩大了古代文学的审美标准。 “Hermit Culture” is a tributary of Chinese cultural history. It synchronizes with the ancient Chinese cultural history and successively goes through the pre-Qin, Western Han Dynasties, Wei, Jin, Northern and Southern Dynasties, and other countries, and opens up a new field in Chinese literary history. Hermit literati like to call beauty of nature the object of aesthetics, which shows hermit aesthetics for aesthetic pursuit of the unique, the aesthetic standards of the literature extended to ordinary secular writers out of reach. Among them, “Hermit Culture ” also affected the development of ancient literature, so that ancient literature from the objective expression of the return to the main body, expanding the aesthetic standards of ancient literature.