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台湾地区重要作家、上世纪70年代“海外钓运”风云人物郭松棻的中篇小说《月印》,凸显了20世纪中叶华人社会“断裂”现象背后的意识形态纠葛。这篇小说以高度艺术化的风格,呈现了冷战时期一个关键性的时代主轴:“介入”和“非介入”两种公民伦理之间宿命式的对峙。郭松棻本人不寻常的人生轨迹也与当代台湾文学场域里的不同美学位置之间构成了参差性的重叠分合。比如说,《月印》对日本殖民时期的缅怀召唤,预示了台湾岛内本土派的崛起;而作者在左翼与自由主义之间的摆荡,则延续了现代、乡土派作家的核心争议。这篇杰作所标示的临界点位置为我们提供了重新审视台湾文学史版图的宝贵素材。
The important novelist in Taiwan and the novella “Moon Print”, a novella by Guo Songtao, a man of “overseas fishing”, highlighted the ideological entanglement behind the “broken” phenomenon of the Chinese community in the mid-20th century. In a highly artistic style, this novel presents a crucial epoch of the Cold War era: the fate of the two types of civic ethics between “intervention” and “non-intervention.” Guo Songtao’s unusual trajectory in his life also forms a mixed overlap with the different aesthetic positions in contemporary Taiwanese literature. For example, the call for recollection of Japan in the colonial period indicates the rise of the native faction on the island of Taiwan. The author’s swinging between leftist and liberalism continues the core controversy of modern and native writers. The location of the critical point marked by this masterpiece provides us with valuable material for reviewing the history of Taiwanese literature.