雕塑在人类社会中,是以时代特色和民族特色留给历史,留给后人的。而时代特色和民族特色又要通过个人特色传达出来,因为这是艺术。说潘鹤教授的雕塑艺术“走进时代”并不恰当。从哪里走进呢?他的雕塑艺术是在廿世纪的中国土壤上生长,壮大起来的。廿世纪的中国历史,是一部从贫困落后的最低谷开始,经历过无数的艰难险阻,无数的奋斗牺牲,求生存,求独立,求解放,到现在的求富强的百年史。世界上任何一个民族都不 Sculpture in human society, the characteristics of the times and national characteristics left to history, left to future generations. The characteristics of the times and national characteristics are also conveyed through personal characteristics, because this is art. It is not appropriate to say Professor Pan He’s sculpture art “Into the Times.” Where did he come in? His art of sculpture grew and thrived in the Chinese soil of the twentieth century. The twentieth-century Chinese history began with the valleys of poverty and backwardness. After numerous untold hardships and obstacles, countless struggles and sacrifices, seeking survival, seeking independence and liberation, and now seeking a prosperous and prosperous history. No one nation in the world