对于热爱歌剧的听众的耳朵来说,没有其他的声音更加使人震惊激动。弗兰科·科雷利忠实的追随者都这样说,他的声音是这个世纪男高音声音中最令人兴奋激动的。当弗兰利.科雷利1961年1月在纽约大都会歌剧院和雷欧蒂内.普赖斯完成了他们的首演——威尔弟的歌剧《游吟诗人》的时侯,《纽约时报》的哈罗尔德·勋伯格写道;一部大歌剧,一部大都会歌剧院暂时缺席的大歌剧,己经在昨天晚上回来了。 No other voice is more shocking and agitating to the ears of listeners who love opera. As Franco Corelli's faithful followers say, his voice is one of the most exciting and exciting of the century's tenor sounds. When Franny Corellie completed their debut at the Metropolitan Opera in New York in January 1961 and Leo Tine Price, the opera troubadour of Wilbur, Harold Schoenberg of the New York Times wrote that a big opera, a grand opera absent from the Metropolitan Opera, was back the night before.