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辛弃疾题咏词大多产生于其赋闲退居时期,词中题咏对象可分为三类:自然之景、人文景观及书画作品。辛弃疾对题咏对象外在因素传神的描摹和内在物性准确的把握使其词在艺术上达到了一种物我、宾主交融的境界。这一境界与词人不涉杂欲的自由心态和自解自慰的特定心态分不开。题咏词浸润的情感内涵凸显出词人鲜明的个性和精神风貌,折射出南宋鲜明的时代特色。
Xin Qiji problems are mostly generated in their leisure time, the words in the object can be divided into three categories: natural landscape, cultural landscape and calligraphy and painting works. Xin Qiji’s vivid description of the external factors of the subject of the chant and the accurate grasp of the inherent physical properties make his Ci artistic attainment a state in which the object and the object are blended. This state is inseparable from the free mentality of the non-interlocutor and the special psychology of self-esteem and masturbation. The emotional connotation of the title chant infiltrated highlights the distinctive personality and mental outlook of the poet and reflects the distinctive characteristics of the times of the Southern Song Dynasty.