自伤痕美术和乡土写实主义美术时期开始,现实主义美术便形成了截然于传统形态的自我变革。可以认为,正是从这时起,现实主义美术开始一种全新的表现形式和多样性的探索实验。形成这种判断是基于一个客观的事实:自新中国成立以来到文革结束的很长一段时期内,艺术创作始终沉浸在对权威和个人崇拜的痴狂之中。作为主流意识形态的宣传工具,美术更是无法脱离体制的绝对影响。政治化的意识形态成为艺术创作的指导方针,这显然违背了艺术发展的规律。在艺术家的作品中,我 Since the art of mutilation and local realism art, realism art has formed a revolution that is quite different from the traditional one. It can be argued that it is from this time onwards that realism art begins a new experiment of exploration and experimentation of forms and diversity. The formation of this judgment is based on the objective fact that for a long period since the founding of New China and the end of the Cultural Revolution, artistic creation has always been immersed in the craziness of authority and personal worship. As a propaganda tool of the mainstream ideology, fine arts can not be separated from the absolute influence of the system. The politicized ideology has become the guideline of artistic creation, which obviously runs counter to the law of art development. In the artist’s work, I