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对中国传统文化的评判,历来以平正为大,以平和为高。平正则格局大,平和则境界高。平正简约始终占据着中国文化的制高点。书法作为众多传统文化门类的集大成者,对此体现得尤为直接。秦小篆、两汉隶书碑刻、唐代楷书等等处在各种书体源头的作品基本都具备这一特征。清代碑学兴起后,直追张迁的尹秉绶更是把平正几乎做到了极致,在整个中国书法史上,尤其是隶书这一门类中成为独标一帜的人物。
Judgments of Chinese traditional culture have always been centered on peace and peace. Flat is the pattern of large, calm and high realm. Flat and simple always occupy the commanding height of Chinese culture. Calligraphy, as a masterpiece of many traditional and cultural categories, is particularly directly reflected. Qin Xiaozhuan, the Han Dynasty scripture inscriptions, the regular script of the Tang Dynasty, etc. at the source of all kinds of books basically have this feature. After the rise of the Ming Dynasty in the Qing Dynasty, Yin Bingshou, who was chasing after Zhang Qian, even made the most of his works. He became a unique figure in the history of Chinese calligraphy, especially in the official script.