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畀愚小说引起全国关注,在于描写时下社会底层生活的真实性,并能梳理出在俗世生活中尚有坚守真爱的一族。由小说生发的一个社会人类学与政治学的问题,依然是男权社会下女性沉重的肉身。畀愚的小说同时也向小说家提出了警示:故事是小说的胶状物,但故事永远不能覆盖小说,小说作为一种对应文化的构造物,并非是人类生存之中生活场景的一个故事性的自然层面,它与故事对立之处正在于是一种反构性的创造。小说写作不是一个故事的单纯记忆与记述,而是一种谁也无法预料的一个文字的艺术性创造,是任何故事都做不到的一种文学的神学。
The foolish novels draw the attention of the whole country in describing the authenticity of the life in the society at the present moment and can sort out the clans still holding true love in the common life. A social anthropology and political science issue raised by the novel is still the heavy body of women in patriarchal society. Stupid novels also warn novelists: the story is a jelly of the novel, but the story can never cover novels, as a cultural structure corresponding to the novel, not a story of the living scenes of human existence The natural aspect, the opposite of the story is that it is a kind of anti-formation of the creation. Novel writing is not simply a memory and description of a story, but an artistic creation of a text that no one can predict. It is a kind of literary theology that no story can do.