曾有一段时间,我很喜欢看王家卫的电影,几乎把他的每一张碟片看烂,总是觉得,他每一个寓言般的故事,或每一句诗歌式的台词,都犹如一面镜子,映照着我们自己的孤独,观影的过程就好像在与一个灵魂相通的人对话,电影里的人在自言自语,电影外的人因此得到了表达。而王家卫,就如同他脸上那永不摘下的墨镜,象征着自怜自爱,象征着自言自语,象征着孤独的自我和不完整的表述。而他电影里的主题,也如恋人间的喃喃自语般纠缠 For a while, I really enjoyed watching Wong Kar-wai's movie. I almost looked at every one of his discs and always felt that every story he made or every poem of poetry was like a mirror. Reflecting on our own loneliness, the process of watching the film is like talking to a person who communicates with a soul. People in the film are talking to themselves and the person outside the film is thus expressed. And Wong Kar-wai, just like the sunglasses on his face that never fall, a symbol of self-pity and self-love, a symbol of allegory, a symbol of lonely self and incomplete expression. The theme of his movie, but also like the lover's mumble like entanglement