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艺术的悲剧与生活的悲剧是两种不同的概念。艺术的悲剧是具有美感的,因为在欣赏艺术作品时,观众总能及时的抽离自己,告诉自己这只是个故事,自己作为一个局外人既能与剧中人同悲伤,又能庆幸自己只是在看一个故事而不是真实发生在自己的生活。生活中的悲剧是不能给人以喜感的,因为我们自身就置身于悲剧其中,我们是悲剧的组成部分,是悲剧的直接作用者。我们感受到的仅仅是命运的抗争,体味的是泪与痛的纠缠,而喜感只能由看客来体会。生活中,很多人把悲剧、喜剧归结于命运。有的人认为这是一种消极的处世态度,把自身的缺陷用命运当借口。而叔本华则认为,人命运不同也是由自身多种原因构成的,并非虚无缥缈。
The tragedy of art and the tragedy of life are two different concepts. The tragedy of art is aesthetic because when viewing works of art, the audience can always pull away from themselves and tell themselves that this is just a story. Being an outsider can not only be sad with the playwright, but fortunately he is only at See a story instead of actually happening in your own life. The tragedy in life can not give people a sense of joy because we ourselves are exposed to the tragedy. We are part of the tragedy and are the direct contributors to the tragedy. We feel only the fate of the struggle, appreciate the entanglement of tears and pain, and the hi feeling can only be realized by the spectators. In life, many people attribute tragedies and comedies to fate. Some people think that this is a negative attitude toward life, using their own destiny as an excuse. Schopenhauer, on the other hand, believes that the difference in human destiny is also caused by many reasons of its own, and it is not nothingness.