毛泽东的认识论思想,是以他的关于实践的理论为基础的。同样在他的美学思想的艺术认识论中,也彻底地贯串着他的实践观点。这是毛泽东文艺美学思想中一个重要特色。本文就此谈谈自己学习中的一点体会。《在延安文艺座谈会上的讲话》指出:“作为观念形态的文艺作品,都是一定的社会生活在人类头脑中的反映的产物。革命文艺,则是人民生活在革命作家头脑中的反映的产物。”这里毛泽东不仅从哲学本体论的意义上指明了一切文学艺术的终极根源都是 Mao Zedong’s epistemological thinking is based on his theory of practice. The same is true of his artistic ideas of artistic epistemology, but also thoroughly through his practice point of view. This is an important feature of Mao Zedong’s literary aesthetics. This article on his own learning experience. The Speech at the Yan’an Forum on Literature and Art pointed out: “Literary and artistic works as conceptual forms are the product of certain social life reflected in human minds, and revolutionary art and literature reflect the life of the people in the minds of revolutionary writers . ”Here, Mao Zedong pointed out not only from the philosophical ontological point of view that the ultimate source of all literature and art