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本文是关于一场由词语开启的图像创造实验。这种尝试建基于对语词表意的解构,然后根据这种逻辑,重新装配成视觉生产的工作方法。语言来自于对外在世界的观察与指认,通过对词与物的链接,获得词语的意义。在语言的高级阶段,在诗词中,语言变得更加凝练和细腻,诗人对感觉的转化,聚焦于对“通感”的把握,对具体细节的塑造,这一切仿佛都是可视的、图像化的。根据这种思路,笔者试图颠倒这种方法,开启另一种转化方式,即由语词到图像的逆推。
This article is about a word-opened image creation experiment. This attempt builds on the deconstruction of the ideographic expressions and, based on this logic, reassembles the working methods of visual production. The language comes from the observation and designation of the external world, and the meaning of words is obtained through the link between words and objects. In the advanced stages of language, the language becomes more concise and delicate in poetry, and the poet’s transformation of feeling focuses on the mastery of the “sense of empathy” and the shaping of specific details, all of which seem to be visible , Imaged. According to this kind of train of thought, the author attempts to reverse this kind of method, turn on another kind of transformation way, namely from the word to the image reverse.