一般来说,小说音乐性的研究会体现在音韵、结构两个方面。目前在昆德拉研究中,对音韵的关注尚且没有出现,在结构方面,则是偏重复调、轻视变奏。事实上,昆德拉在其理论书籍《被背叛的遗嘱》中已明确表示自己在作品中安排了变奏曲式,但由于这本书成书较晚,而且世界范围内对变奏理论的研究明显少于复调理论,导致目前国内外对昆德拉音乐性的研究集中在复调理论和对于复调的感性印象的层面。一、乐句与语句、乐段与语段、乐章与篇章的对应关系。 In general, the research on the musicality of novels will be reflected in both phonological and structural aspects. At present, in Kundera’s research, attention to phonology still does not appear. In terms of structure, emphasis is placed on reconciliation and contempt for variation. In fact, Kundera has made it clear in his theoretical book Betrayal Will, that he arranges variations in the composition, but because the book was published late and the study of variation theory is significantly less than the worldwide one Polyphony theory, leading to the current domestic and international research on Kundera’s musical focus on polyphony theory and polyphony emotional impression level. First, the phrase and sentence, paragraph and paragraph, music and chapter correspondence.