王世贞(一五二六—一五九〇),是明代重要的文学复古流派“后七子”的代表人物。对于王世贞的研究,从诗、词、文、史、曲等角度去考察,较为集中,但是以书法为切入点,进而去研究王氏较为广博精深的书学,目前并不多见。本文立足王世贞书学,重在阐述其对传统书法品评理论的拓展与深化的问题,以求管中窥豹。王世贞的审美观念虽然主要倾向于“书宗魏晋”的传统书法品评标准,力举“古雅”大旗,但这并不能掩盖 Wang Shizhen (1526 - 1590) is an important literary genre of the Ming Dynasty and the representative of the “latter seven sons.” For Wang Shizhen’s research, it is more concentrated from the perspectives of poetry, Ci, Wen, Shi, Qu and so on, but it is rare to find that calligraphy is the starting point to study Wang’s more extensive and profound book study. Based on Wang Shizhen’s book study, this article focuses on expounding its expansion and deepening of the traditional theory of calligraphy evaluation in order to manage the jigsaw. Though Wang Shizhen’s aesthetic conception mainly tends to the traditional calligraphy standard of “Book of Songs and Wei and Jin Dynasties”, this does not cover up the “quaint” banner