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我刚刚接触书法时,常陷入某种困惑百思不解:一管柔柔的狼毫,为何能在宣纸上呈现出金石气象?那时我读过傅心的《论书》,其中说:“书法用笔,如壮夫舞剑,荡决挥刺,吞吐敛发,力出中枢,而贵蓄势。”再如《笔阵图》中所言:“纸者,阵也;笔者,刀槊也;墨者,鍪甲也;砚者,城池也。”这种纸上兵戈的文字让人读来如入混元阵法,左冲右突,不辨日月。曾求教于诸家,众说纷纭,愈加无所适从。
When I first came into contact with calligraphy, I often fell into some kind of puzzled puzzled: why did a soft wolf show a golden stone on rice paper? At that time, I read Fu Xin’s Theological Book, in which she said: “Calligraphy Pen, such as Zhuang Fu Wu sword, swing play thorn, swift convergence of hair, force out of the center, and your potential. ”Another example is the“ Pen and Map ”said:“ Paper, array also; Also; ink, A man also; ink who, the city is also. ”This paper Bing soldiers text read as mixed into the matrix method, Zuo Chong right sudden, do not distinguish between the sun and the moon. Have to ask in various home, different opinions, more confused.