（A）中心与边缘世纪末的中国戏曲事业，由创作、演出和评论共同组成的三方会谈格局经历着种种变故也面临诸多新的课题。站在新世纪门槛前审视当下境遇中的戏曲评论，首先离不开这整体格局。回首建国以来的半个世纪，不难发现，戏曲评论随同整个戏曲事业经历了从边缘到中心又从 (A) Center and the End of the Century The Chinese drama cause at the end of the century, the tripartite meeting composed of creation, performance and commentary, undergoes many changes and faces many new topics. Before looking at the threshold of the new century to examine the current situation in the drama criticism, the first inseparable from the overall pattern. Looking back half a century since the founding of the People’s Republic of China, it is not difficult to find that the opera commentary, along with the entire drama career, has gone from the periphery to the center and from