原文选段还记得那“乘风而来,驾风而去”的宫崎骏吗?这位老人在动画的变迁中始终保持着自己的原则:不用电脑作画,只用手稿。虽然他也会在某些方面借助现代高科技,但他却懂得适可而止,懂得在虚拟面前“望而却步”。为什么会有《千与千寻》的奇迹?因为这背后有着千万张的手稿。拥抱这世界,去感受,去触摸,让它教会我们去做“一身诗意千寻瀑,万古人间四月天”的林徽因,去做“华枝春满,天心月圆”的李叔同。(摘自2016年高考浙江卷佳作《记得拥抱这温暖世界》) Do you remember Miyazaki Hayao, who flew away from the wind? The old man kept his own principles in the animation changes: no computer painting, only manuscripts. Although he would also rely on modern high technology in some aspects, he knew nothing of how to stop it, and knew that he was “beyond the fence” in the virtual world. Why there is a “Spirited Away” miracle because there are tens of millions of manuscripts behind. Hug this world, to feel, to touch, let it teach us to do “a poetic Chih-hua waterfall, all the world April day ” of Lin Huiyin, to do . (From the 2016 college entrance examination Zhejiang volume masterpiece “remember to embrace this warm world”)