明清时期小说尚虚观念渐次深入人心,主要在四个方面实现了新变:一是确立了“虚构”在小说中的地位和价值;二是认识并深入发掘了虚构的艺术效果;三是辩证地把握了生活真实、艺术虚构、艺术真实之间的关系;四是“虚”、“实”概念的内涵有了新拓展,以富有成效的理论创新迎接现代小说观念的到来。 In the Ming and Qing dynasties, the notion of being fiction still goes deep into the hearts of the people, and has achieved new changes mainly in four aspects: first, establishing the status and value of “fictionalization” in the novel; secondly, recognizing and deepening the fictional artistic effect; Third, it has dialectically grasped the relationship between the truth of life, the fiction of art and the reality of art. Fourthly, the connotation of the concept of “imaginary ” and “real ” has been newly expanded to meet the modern concept of novel with fruitful theoretical innovation ’s arrival