中国文学的“当代性”在世纪末的处境十分尴尬。文学早已不立足于从属的。具地位，获得审美的品性而走向自身，并进而从一元的封闭走向多元的开放。但从其内部来说，理论和创作之间开始争夺话语霸权，而理论本身也发生了内部之争。这两种倾向已经构成了中国当代文学最为显著的世纪末景观。本文对此作了回顾和分析，最后呼唤一种具有中国作风、中国气派的文学理论。 The “contemporary” nature of Chinese literature is awkward at the end of the century. Literature has long been based on subordination. With status, access to aesthetic character and toward itself, and then from a closed to a pluralistic opening. However, internally, the theory and creation began to compete for discourse hegemony, and the theory itself also had an internal dispute. These two tendencies have constituted the most significant landscape of the end of the century in Chinese contemporary literature. This article reviews and analyzes this, and finally calls for a kind of literary theory with Chinese style and Chinese style.