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文道论思想是宋元文学理论的精髓,仅从文道二元合离的角度来作出辨析,这种发问方式本身并不适合宋学体用不二的文道关系原型,也就不足以充分理解它的人文意蕴与儒学文论史价值。从根本上讲,宋学文道论是将书写过程当作一种内证体验来看待的,由此转换文论思想的重心,便是由言志、载道的外向性诉求转入“诗文道流”的书写体验以及主体审美心胸的涵养上来。其中透出极为深刻的语言本体论与文学存在论的意味,具有十分重要的儒学文论史价值。
The theory of meridianism is the essence of the literary theory of the Song and Yuan dynasties. It only makes an analysis from the perspective of the dualistic integration of the passages of literature and writing. This kind of questioning by itself is not suitable for the literary and Taoistic relational prototype Its Humanistic Meaning and the Value of Confucianism and Literary Theory. Fundamentally speaking, Song Xuewen’s Taoism treats the writing process as a kind of internal evidence experience, thus changing the center of gravity of literary theory is to transfer the appeal of extroversion into the poem Road flow "writing experience as well as the main aesthetic sense of mind up. Which reveals the very profound meaning of language ontology and literary ontology, has a very important historical value of Confucian literary theory.