笔墨不仅是中国书画艺术的核心课题,而且也是书画艺术传承最为关键的问题之一。中国书画艺术的发展史是一部中国人不断探索笔墨奇妙效果的历史,在这个历史进程里,古人为我们留下了丰富的笔墨艺术宝藏。以汉字为载体的书法艺术和以状物造型的绘画艺术,在汉字还处于图画文字与象形文字的时期,人们写字与画画基本上是没有区别的。无论把它当做文字或当做图画来看都是状物造型的普通线条,只是当文字发展到一定阶段时,才出现了具有抽象概念意义的笔画形态,但笔画形态结构的特殊性和毛笔书写汉字的制约 Pen and ink is not only the core issue of Chinese calligraphy and painting art, but also one of the most crucial issues in the inheritance of calligraphy and painting. The history of the development of Chinese painting and calligraphy is a history of Chinese people constantly exploring the wonderful effects of ink and ink. In this historical process, the ancients left us a wealth of treasures of ink and brush art. Chinese calligraphy is the carrier of calligraphy and art of the shape of the painting, in the Chinese characters are still in the period of pictorial and pictorial, people writing and painting is basically no difference. Regardless of whether it is a literal or a pictorial point of view, it is a common line of the shape of the object. Only when the word reaches a certain stage, does it appear in the form of a stroke with an abstract conceptual meaning. However, the particularity of the structure of the stroke and the writing of Chinese characters The constraints