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本文运用生命直觉主义文论分析《耶利米哀歌》,涉及其成书背景、传统节日和历史经验的展示等领域,从生命体验的整体性、想象的复合性、直觉的创造性等方面解读该卷书的情绪构成、想象生成、思维革新、表达模式;在“绵延”和“记忆”两个理论概念的辐射下,透析其复杂的时间维度与典故的内涵和更新;在生命之流和形式之物的辩证关系中审视“气纳体”和“离合体”的应用,进而理解《哀歌》酣畅却有节制的文学情操,期与读者在中正平和的抒情节奏里获得哀而不伤的美感享受。评论之余,亦反思生命直觉主义作为理论工具的缺陷及其亟待调整之处,以求把握《希伯来圣经》的永恒命题,深入理解犹太民族的思维方式和文化特质,进而分析宗教与文学两种思维相辅相成的作用关系,以及民族文学跃升至世界经典时所需的特质。
This article uses Life Intuitionist Literary Theory to analyze the “Lamentations of Jeremiah” and its presentation in the book background, traditional festivals and historical experiences. The article interprets this volume from the aspects of the integrity of life experience, the complex of imagination, and the creativeness of intuition The emotional composition, imagination generation, thinking innovation and expression mode of the book are explored under the radiation of the two theoretical concepts of “stretching” and “memory”, and the connotation and updating of its complicated time dimension and allusion are analyzed. The dialectical relationship between the flow and the forms of things examines the application of “gas and gas” and “clutch”, and then comprehends the well-tempered but moderate literary sentiment of “Lamentations,” in contrast to the readers’ Get the beauty of sorrow without injury to enjoy. In addition to comments, I also reflect on the shortcomings of the life intuitionism as a theoretical tool and its urgent needs to be adjusted in order to grasp the eternal proposition of the Hebrew Bible, to understand deeply the way of thinking and cultural characteristics of the Jewish nation, and to analyze religion and literature The interaction between the two kinds of thinking and the traits required for the rise of national literature to the world classics.