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在1949年至1955年的中国电影史上,除了出现过一些带有喜剧因素的作品外,严格意义上的喜剧片可以说是一片空白。那时人们审美意识的重心似乎偏向于欣赏与追求崇高、壮烈的事物。喜剧,笑,一时还难以进入革命艺术家的审美视野。直到1956年,随着社会主义改造的顺利完成,大规模的急风暴雨式的阶级斗争宣告结束,人们的心态逐渐放松,喜剧意识开始荫动,在党的“双百”方针的鼓舞下,才出现了两部讽刺喜剧短
In the history of Chinese movies from 1949 to 1955, except for some works with comic elements, the strict sense of the comedy can be said to be a blank. At that time, the focus of people's aesthetic consciousness seemed to favor the pursuit and appreciation of sublime and heroic things. Comedy, laughter, sometimes difficult to enter the aesthetic horizon of revolutionary artists. Until 1956, with the successful completion of the socialist transformation, the mass-scale stormy class struggle was over and people's mentality was gradually relaxed and their comic consciousness began to shake. Only under the guidance of the “double hundred” principle of the party, did they emerge Two short satirical comedy